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Traces

by Filax Staël

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  • Record/Vinyl + Digital Album

    Traces:
    The audiovisual-collage project ‘Section 10_
    Traces by Filax Staël’ was founded in 2013 from the artistic collaboration between Filax Staël (the pseudoniem of artist/musician/graphic designer Bas Mantel) with old friend Okko Perekki. Their fascination with electronic sounds, field recording, musical and artistic experimentation and the desire for a creative and organic playground without preconceived and existing ideas set the creative process of the audiovisual project in motion with ‘Traces’ as the first official output.
    -
    Traces as shape shifting sounds
    The instrumental work could be seen as more of a departure as sound collages derived from found sounds, samples and studio recorded extracts, all compiled into new raw and layered compositions. Short tracks which are originally accompanied by graphic stop motion clips. The visual part is for this tangible release translated into a 52 paged book.
    Section_10; The book as a visual manual for the 24 tracks; wherein the flight map as a metaphore, directing the listener into a space where you are, is released to explore and experience the paths in a newly created (own) world of interconnected image and text fragments. How one stares at the physical and invisible environment, how do we process that? You will find no definitions or answers while reading and listening, but it gives an opportunity to experience it.

    Graphic designer and founder of London based
    design agency Tomato, Simon Taylor contributes to the project with the text ‘How do we read sound?’

    -
    Traces as a journey of recorded thoughts, experiences, conversations, images, sounds and nothingness collected, created and composed by Filax Staël.

    Traces: 24 tracks over a span of about 26 minutes, as an indication of the fleeting and elusive nature of the sound fragments that are contained in Bas Mantel’s cut and paste/remix graphic punk style. Chaos and distropy on the one hand, well ordered and thoughtful on the other.
    Traces: Rhythmic synth pulses, sound recordings from instructional films from the 1950s, cut-up and re-pasted orchestral symphonies from the
    silent film era mixed with electronic noise and repetitive drum patterns, fragments of spoken words to twisted compositions from music boxes. Cut and pasted into new compositions, with the creative process of creating the sound fragments in a composition on the verge of disintegration in order to merge it into a unity. Intuitive puzzles with an ear for fragmenting, decaying and expanding as a whole.
    -
    Traces of ... Everything, Somewhere, Elsewhere, Nowhere, Anywhere
    -
    For Okko

    Includes unlimited streaming of Traces via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ... more
    ships out within 3 days
    Purchasable with gift card

      €25 EUR or more 

     

  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Purchasable with gift card

      €12 EUR  or more

     

1.
Ellipse 01:02 video
2.
Spectra 00:36
3.
Cymbals 00:45 video
4.
A < > B 01:02
5.
Blue Dances 00:39
6.
7.
8.
9.
Tube 00:26
10.
11.
7:3 02:41
12.
13.
Urania 02:15
14.
15.
16.
Return -A- 01:02
17.
Film 8 00:35
18.
19.
Edderkop 00:23
20.
BMMF 01:17
21.
Unsolared II 02:18
22.
Camera 01 01:44
23.
176 Missing 01:17
24.
84 Lost 01:30

about

Traces:
The audiovisual-collage project ‘Section 10_
Traces by Filax Staël’ was founded in 2013 from the artistic collaboration between Filax Staël (the pseudoniem of artist/musician/graphic designer Bas Mantel) with old friend Okko Perekki. Their fascination with electronic sounds, field recording, musical and artistic experimentation and the desire for a creative and organic playground without preconceived and existing ideas set the creative process of the audiovisual project in motion with ‘Traces’ as the first official output.
-
Traces as shape shifting sounds
The instrumental work could be seen as more of a departure as sound collages derived from found sounds, samples and studio recorded extracts, all compiled into new raw and layered compositions. Short tracks which are originally accompanied by graphic stop motion clips. The visual part is for this tangible release translated into a 52 paged book.
Section_10; The book as a visual manual for the 24 tracks; wherein the flight map as a metaphore, directing the listener into a space where you are, is released to explore and experience the paths in a newly created (own) world of interconnected image and text fragments. How one stares at the physical and invisible environment, how do we process that? You will find no definitions or answers while reading and listening, but it gives an opportunity to experience it.

Graphic designer and founder of London based
design agency Tomato, Simon Taylor contributes to the project with the text ‘How do we read sound?’

-
Traces as a journey of recorded thoughts, experiences, conversations, images, sounds and nothingness collected, created and composed by Filax Staël.

Traces: 24 tracks over a span of about 26 minutes, as an indication of the fleeting and elusive nature of the sound fragments that are contained in Bas Mantel’s cut and paste/remix graphic punk style. Chaos and distropy on the one hand, well ordered and thoughtful on the other.
Traces: Rhythmic synth pulses, sound recordings from instructional films from the 1950s, cut-up and re-pasted orchestral symphonies from the
silent film era mixed with electronic noise and repetitive drum patterns, fragments of spoken words to twisted compositions from music boxes. Cut and pasted into new compositions, with the creative process of creating the sound fragments in a composition on the verge of disintegration in order to merge it into a unity. Intuitive puzzles with an ear for fragmenting, decaying and expanding as a whole.
-
Traces of ... Everything, Somewhere, Elsewhere, Nowhere, Anywhere
-
For Okko

credits

released March 22, 2024

10 Inch vinyl
Book
-
Sound: Filax Staël
Mastering: Martijn Comes at Immovable Substance
Art/graphic design: Bas Mantel

license

all rights reserved

tags

about

REV. Lab. Amsterdam, Netherlands

REV. LAB. is a small independent music label run by graphic artist Bas Mantel.
-
The sound and tone of the label finds its inspiration in
electronic, ambient, experimental, cinematic and abstract soundscapes. This series investigates the relation between the graphic translation of the music and its physical output.
... more

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